papers

selected outcomes ResearchGate Google Scholar

sound synthesis and processing by physical modeling

Alexandros Kontogeorgakopoulos, Claude Cadoz, 2008, "Designing and Synthesizing Delay-Based Digital Audio Effects Using the CORDIS-ANIMA Physical Modeling Formalism", in the Proceedings of Sound and Music Computing Conference SMC08, Germany
(conferance paper)

Alexandros Kontogeorgakopoulos, Claude Cadoz, 2008, "Amplitude Modification Algorithms using Physical Models", in the Proceedings of 124 Audio Engineering Society Convention, The Netherlands
(conferance paper)

Alexandros Kontogeorgakopoulos, Claude Cadoz, 2007, "Filtering Within the Framework of the Mass-Interaction Physical Modelling and of Haptic Gestural Interaction", in the Proceedings of Digital Audio Effects DAFX07, France
(conferance paper)

Alexandros Kontogeorgakopoulos, Claude Cadoz, 2007, "Physical Modelling as a Proposed Framework for the Conception, the Design and the Implementation of Sound Transformations", in the Proceedings of International Computer Music Conference ICMC2007, Denmark
(conferance paper)

Alexandros Kontogeorgakopoulos, Claude Cadoz, 2007, "Cordis Anima Physical Modelling and Simulation System Analysis", in the Proceedings of Sound and Music Computing Conference SMC07, Greece
(conferance paper)

Alexandros Kontogeorgakopoulos, Panagiotis Tzevelekos, Claude Cadoz, Georgios Kouroupetroglou, 2008, "Using the CORDIS-ANIMA Formalism for the Physical Modeling of the Greek Zournas Shawm", in the Proceedings of International Computer Music Conference ICMC2008, Northern Ireland
(conferance paper)

haptic musical interaction

Alexandros Kontogeorgakopoulos, 2023 "Music, Art Installations and Haptic Technology". Arts 12, no. 4: 142
(journal paper)

Leonard, James, Jerome Villeneuve, and Alexandros Kontogeorgakopoulos, 2020 "Multisensory Instrumental Dynamics as an Emergent Paradigm for Digital Musical Creation". Journal on Multimodal User Interfaces 14, no. 3
(journal paper)

Alexandros Kontogeorgakopoulos, George Siorros, Odysseas Klissouras 2019, "Mechanical Entanglement: A Collaborative Haptic-Music Performance", in the Proceedings of Sound and Music Computing Conference SMC2019, Malaga, Spain
(conferance paper)

Edgar Berdahl, Alexandros Kontogeorgakopoulos, 2013, "The FireFader: Simple, Open-Source and Reconfigurable Haptics for Musicians", Computer Music Journal 17(1)
(journal paper)

Alexandros Kontogeorgakopoulos and Georgios Kouroupetroglou, 2012 "Low Cost Force-Feedback Interaction with Haptic Digital Audio Effects" in E. Efthimiou, G. Kouroupetroglou and S. Fotinea (Eds) "Gesture and Sign Language in Human-Computer Interaction and Embodied Communication", Lecture Notes in Computer Science, Vol. 7206, pp. 48-57, Springer-Verlag
(book chapter)

Edgar Berdahl, Alexandros Kontogeorgakopoulos, Dan Overholt 2010, "HSP v2: Haptic Signal Processing with Extensions for Physical Modeling", 5th International Workshop on Haptic and Audio Interaction Design HAID, Copenhagen, Denmark
(conferance paper)

Edgar Berdahl, Alexandros Kontogeorgakopoulos, 2012, "Engraving-Hammering-Casting: Exploring the Ergotic Medium for Live Musical Performance", in the Proceedings of International Computer Music Conference ICMC2012, Ljubljana, Slovenia
(conferance paper)

art-science and sonification

Alexandros Kontogeorgakopoulos, Odysseas Klisouras, 2019, "01101110: An Audiovisual Installation Based on the Cellular Automaton Rule 110", in the Proceedings of Sound and Music Computing Conference SMC20, Turin, Italy
(conferance paper)

Alexandros Kontogeorgakopoulos, Daniel Burgarth 2014, "Sonification of Controlled Quantum Dynamics", in the Proceedings of International Computer Music Conference - Sound and Music Computing Conference ICMC-SCM2014, Athens, Greece
(conferance paper)

I. Khan, D. Sivell, N. Stephens, N. White, R.J. Errington and A. Kontogeorgakopoulos, 2015, "The Stem Cell Orchestra – A Non- narrative Approach to Communicate Experimental Processes", 30th Congress of the International Society for Advancement of Cytometry, Glasgow, Scotland
(abstract)

Alexandros Konteogergakopoulos, Robert Wechsler, Wendy Keay-Bright, 2013, "Motion Tracking and Arts for Persons with Motor Disabilities", book chapter to appear in Assistive Technologies, Disability Informatics and Computer Access for Motor Limitations, IGI Global
(book chapter)

Alexandros Kontogeorgakopoulos, Olivia Kotsifa, 2013 "My Content / My Space / My Music", to appear on Organised Sound Journal Vol18 (1), Cambridge University Press
(journal)

other topics

Alexandros Kontogeorgakopoulos, Odysseas Klisouras, 2021, "Temporal-Transformations-and-Spatial-Explorations-in-Sound-Light-Art", in the Proceedings of International Computer Music Conference ICMC, Santiago, Chile
(conferance paper)

Odysseas Klisouras, Alexandros Kontogeorgakopoulos, George Sioros 2022, "Elastic Transformations: a graphical rhythm transformation process", in the Proceedings of International Computer Music Conference ICMC, Limerick, Ireland
(conferance paper)

digital musical instruments & digital fabrication

Alexandros Kontogeorgakopoulos, Olivia Kotsifa 2019, "Game|lan:Co-creating and co-designing an Orchestra of Digital Musical Instruments within the Fab Lab Network", in the Proceedings of Linux Audio Conference 2019, CCRMA, Stanford University, USA
(conference paper)

Alexandros Konteogergakopoulos,April 2018, "Sound/media art and digital musical instrument design ", Fab Lab Lima, Peru, Chile
(presentation)

Alexandros Konteogergakopoulos,Feb 2017,"designing / fabricating / composing / performing with Digital Musical Instruments" Fab Lab Impact, Mexico City, Mexico
(presentation)

Alexandros Kontogeorgakopoulos, Sep 2015, "(Digital) Musical Instruments in the Digital Fabrication Age: Turning Data into (Digital) Musical Instruments?", GLOBALE: Tangible Sound, ZKM, Karlsruhe, Germany
(presentation)

Cadoz, C., Luciani, A., Villeneuve, J., Kontogeorgakopoulos, A., & Zannos, I. 2014, "Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology", in the Proceedings of International Computer Music Conference - Sound and Music Computing Conference ICMC-SCM2014, Athens, Greece
(conference paper)